Showing posts with label New York. Show all posts
Showing posts with label New York. Show all posts

August 17, 2020

THE DEADLIEST THIEF by June Trop Of New York


My name is June Trop, author of the Miriam bat Isaac Mystery Series. 
I live in New Paltz, New York, a state university town in the foothills of the Shawangunk Mountains, half-way between our capital, Albany, and New York City. 
We are a favorite spot in the East for rock climbers, 




© Daniel Case

vacationers seeking a world-class resort, our own Mohonk Mountain
house,
and visitors to Huguenot Street, the oldest street in America where people still live.




My fifth and latest book in the Miriam bat Isaac Series, THE DEADLIEST THIEF,   takes you into the underbelly of first-century CE Roman Alexandria.

My protagonist, Miriam bat Isaac, a budding alchemist and amateur sleuth,  
becomes frantic when her best friend,
Phoebe, is kidnapped.
At the same time, a brute of a man is stalking Nathaniel ben Ruben,
an old potbellied dwarf.
Could the brute, the last surviving jewel thief
from the Temple of Artemis, be the same man who kidnapped Phoebe?
And can Miriam find her before it’s too late?  

The Amazing Kreskin praises THE DEADLIEST THIEF: June Trop brings to life a fascinating figure in first-century CE Alexandria, Miriam bat Isaac. Despite its ancient setting, the action, conflicts, and characters come across realistically, even vividly. You will feel very much there as you witness a crime of murder, jealousy, and greed.  
So let THE DEADLIEST THIEF take you along to help Miriam solve her most baffling case yet. Just click here:

GIVEAWAY
Leave a comment with your email address to become eligible to win a free e-book of THE DEADLIEST THIEF.
(all info provided and released by author)

August 4, 2019

Views of New York

From Author, Carole Ann Moleti: 
The Non-Sleeping City

I opted to stay close to home for a political event, so I was not in Manhattan on 7/13/19 when the power went out for a few hours. But I was no longer unsure what to focus on for this year's Fifty Author's blog from New York. The latest power failure--and the simultaneously disturbing and hysterical images of battle hardened New Yorkers dealing with the aftermath allows me to offer a historical montage of what happens when "The City That Never Sleeps" is plunged into darkness.

I was a college student in 1977. NYC was in bankruptcy, and decaying before our eyes. Half of the campus of Lehman College was boarded up. Construction on the new buildings was halted for three years when the State Dormitory Authority went into default.

The Bronx was burning down, so that landlords could collect insurance money and get out. Son of Sam was murdering young couples sitting in parked cars, in my neighborhood. I knew Donna Lauria, one of his victims. The filthy, graffiti adorned subways were so dangerous you were always relieved to see Curtis and Lisa Sliwa--or pair of their Guardian Angels standing side by side near the subway car door as the train rattled through the long dark tunnels.

I had a summer class on the sticky, sweltering evening of July 13, 2017 and was anxious to get home to go for a swim. I'd just left the campus when the power went out, glass started breaking, the looters took to the streets, and I barely got to my car in time. With no traffic lights, my gas tank on empty, I battled my way home prepared to run over anyone who swung at my windshield with a baseball bat.

The legendary Sister Mary Assumpta and certain other Sisters of the Divine Compassion maintained order in a classroom of 52 students with iron fists, yardsticks and rosary beads as lassos. They'd taught us more than we gave them credit for: Never flinch or you’re done for.
For some vintage images from the citywide blackout of 1977--and haircuts--check out this clip from The New York Times:  https://nyti.ms/2XOARKr
In the summer of 2003, the power went out in NYC and multiple others cities in a chain reaction failure of the power grid. Midday, in the blazing heat (hint: climate change and energy inefficiency is straining the power grid past capacity). Luckily, I was upstate, which also lost power, but it was a lot cooler.

In the summer of 2011, there was an earthquake that had New Yorkers fleeing swaying skyscrapers into the streets and Hurricane Irene with long-term power outages in the same week.  I was using dry ice to keep my milk cool and writing by flashlight for at least a week. Odd coincidence.

Then, in 2012, Hurricane Sandy roared through the Tri State Area (during which they actually tried to evacuate Coney Island but that's another topic). Many people were out of power for over a month. My husband had to siphon gas out of our lawnmower so he could go get on line to fill the tank. I had to change dressings on a wound my son had sustained in an unrelated incident with a flashlight held under my right armpit.

On July 13, 2019, forty-two years to the day of the Big Blackout of 1977, J-Lo's concert was cut short. The lights of Broadway and Times Square East went dark, but Times Square West stayed lit. Major subways lines stopped dead, and people had to be evacuated from trains stuck in the tunnels, in oppressive 80 plus degree temperatures, which is the most scary (and disgusting) part, with all those aromas, rats, bugs...

And most New Yorkers took it in stride, because it was only half of the West Side this time. And some actors continued Broadway shows on the street. The inhabitants of in NYC, and the entire Tri State area may have PTSD after the horrific events of September 11, 2001, but we're battle hardened. There's always someone that will try and take advantage of a bad situation, but most New Yorkers in 2019 are in a much more united we stand, divided we fall mood than we were in 1977--and candlelight vigils were already planned to show solidarity with immigrants, so many of us had illumination right at hand when the need arose.

Carole Ann Moleti lives and works as a nurse-midwife in New York City, thus explaining her fascination with all things paranormal, urban fantasy, and space opera. Her nonfiction focuses on health care, politics, and women's issues. But her first love is writing science fiction and fantasy because walking through walls is less painful than running into them.
Excerpts of Carole's memoir, Someday I'm Going to Write a Book: Diary of an Urban Missionary range from the sweet and inspirational in A Quilt of Holidays to the edgy and irreverent in Not Your Mother's Book: On Being a Woman.

Carole's work has appeared in a variety of literary and speculative fiction venues. Short stories set in the world of her novels are featured in several of the Ten Tales anthologies. The Unfinished Business Series, a three volume paranormal romance, was published by Soulmate.
Links:

From  Author, Eleanor Kuhns:
Paul Bunyan, lumberjacks, and Simply Dead

Paul Bunyan and his blue ox Babe are part of the mythos of the frontier United States. The stories about his exploits are part of a uniquely American body of stories; the tall tale. Usually accompanied by Babe, an enormous blue ox, Paul Bunyan roamed the country performing feats that showcased his size and superhuman strength.  He is credited with forming landscapes like the 10,000 lakes of Minnesota (his footprints) and the Grand Canyon. (by dragging his axe through the ground.)

Like so many folktales, the stories about Paul Bunyan contain elements of the truth. They portray an exaggerated and idealized version of the lives of lumberjacks – as it was before 1945 when only hand tools were used.  (Logger is the term for the men who do this work in the 21st century.) A job done exclusively by men, lumbering was seasonal and was frequently migratory as the lumberjacks traveled wherever the trees were being harvested. American lumberjacks were first centered in north-eastern states such as Maine, where Simply Dead is set.

In an era where wood was used for everything, especially those all -important masts for the sailing ships, lumbering was an essential job and lumberjacks were much in demand.  It was physically demanding, dangerous and low paid. Before various kinds of machinery took over some of the jobs, all of them were done by men with axes, cross cut saws, ropes and other simple equipment.

The high climber (also known as a tree topper) used iron climbing hooks and rope to climb a tall tree. He would chop off limbs as he climbed and then chop off the top of the tree. Other specialized skills included chokers and chasers. The choker setters attached steel cables (or chokers) to downed logs so they could be dragged into the landing. The chasers removed the chokers once the logs were at the landing. Despite the common perception that all loggers cut trees, the actual felling of trees was also specialized job. Chokers and chasers were entry level; the fellers were a higher level and a position the chokers and chasers aspired to.

The cut logs were ‘skidded’ down a road or, as was done in Maine, floated down a river to a sawmill. Every spring, logs were floated down the rivers to Falmouth.  Log rolling, or controlling the logs by walking on them as they floated, was considered a great skill and is still demonstrated in Maine as a tourist attraction.

The lumberjacks prided themselves on their physical strength and their ability to do this hard and dangerous job. With few females present other than the wives of cooks and foremen, this was a very masculine culture that glorified competitiveness and aggression.

In Simply Dead, Rees first meets a lumberjack when he travels into the mountains in search of the men who abducted the midwife’s daughter. And a threatening and frightening individual this man is too.

By the 1960’s and 70’s, many of the jobs formerly done by the lumberjacks had been taken over by specialized machinery. Taking down trees is still treacherous and risky. Just ask the man hired to remove the dead trees from your yard.

All that’s left of the culture personified by Paul Bunyan are the stories and the statues of Paul Bunyan and Babe, most notably in Minnesota and Bangor, Maine.

Eleanor Kuhns is the 2011 winner of the Minotaur Books/Mystery Writers of America First Crime Novel. A lifelong librarian, she received her Masters from Columbia University and is currently the Assistant Director of the Goshen Public Library in Orange County New York.

Website URL: www.eleanor-kuhns.com
Blog URL: www.eleanor-kuhns.com/blog
Facebook URL: www.facebook.com/Eleanor-Kuhns
Twitter: #EleanorKuhns
LinkedIn: https://www.linkedin.com/eleanor-kuhns-36759623


From Author, Frankie Y. Bailey:
If Someone Made a Movie
I think most writers hear this question sooner or later – from the moderator of your panel, or a reader who stops to chat as she’s buying your book, or maybe it’s a question you ask yourself. I think you’ve guessed from my title what that question is:  “Who would you want to play [name of protagonist] in a movie?”

Let me admit up front, I have spent more time than I should have on the Internet trying to come up with a good answer to that question. After all, Lizzie Stuart is my character. I should know who I would like to play her in a movie – or on a television series. So, I’ve looked at photos of the talented African American women who might portray Lizzie, my female sleuth. I keep looking and thinking, and I still don’t have an answer.

Not that I’m anticipating needing to know. First, Hollywood is not sending me or my agent emails begging to option my series, and second, even if a director were interested, I would probably have no say-so at all regarding casting. And, then, there’s the third issue. Lizzie is a first-person narrator. She doesn’t spend a lot of time looking at herself. She only comments about herself in the context of haircuts or pet hairs on a skirt. I know that other characters find her attractive. But I – perhaps intentionally -- have never tried to imagine her face feature-by-feature.


You’ll notice that there is an illustrator that we assume to be Lizzie on the cover of both Death’s Favorite Child and A Dead Man’s Honor. These are new covers, created for the books as they were being reissued. I really love the look of these covers and the connection they establish among books in the series. But I also really liked the covers on the first editions published by Overmountain Press on which she did not appear. And I thought it was really cool when “In Her Fashion,” my first short story in Ellery Queen Mystery Magazine (July 2014) included both an illustration of Lizzie and of another character in the story. (If you’d like to listen to that story, it’s at https://www.podomatic.com/podcasts/eqmm/episodes/2014-06-27T06_59_34-07_00).

I’m fine with all of this because I’m interested in how other people imagine Lizzie. I may never find a photograph or see someone on the street or movie screen and think, “That’s her! That’s Lizzie!” It’s more important that I, as author, know who she is and how she thinks and feels.  

I have a much better idea how John Quinn (the Philadelphia homicide detective that Lizzie meets in Death’s Favorite Child) looks. Lizzie describes him to the reader. I would be able to pick him out in a crowd. And, no, I don’t know who should play him in the movie. But I do know the feel of the chemistry between Quinn and Lizzie that would be crucial to make their relationship work on the screen. I have spent some time looking at white male actors because Lizzie and Quinn are an interracial couple. But they aren’t a “cute couple” (in the cozy sense). In fact, if I ever “saw” them in a café, they’d probably be having a rather intense conversation about suspects. 


Her mystery novels feature Southern-born crime historian, Lizzie Stuart, in five books, beginning with Death’s Favorite Child and A Dead Man’s Honor. The books are being reissued by Speaking Volumes. Frankie’s two near-future police procedurals feature Albany police detective, Hannah McCabe in The Red Queen Dies and What the Fly Saw (Minotaur Books). Frankie has also has written several short stories, including “In Her Fashion” (EQMM, July 2014), “The Singapore Sling Affair” (EQMM, Nov/Dec 2017), and “The Birth of the Bronze Buckaroo” (The Adventures of the Bronze Buckaroo, 2018). She is currently working on a nonfiction book about dress and appearance in American crime and justice, a historical thriller set in 1939, and the plots of the next Stuart and McCabe books.

Frankie is a past executive vice president of Mystery Writers of America and a past president of Sisters in Crime.

Twitter:  @FrankieYBailey


Amazon: A Dead Man’s Honor

Amazon: Death’s Favorite Child
(all info provided and released by participating authors)

July 28, 2018

New York- Gives Us the Big Apple- the City that Never Sleeps-and Some Great Writing Talent

 Begin with Carole Ann Moleti: New York City's Urban Gardens Have Interesting Stories To Tell

I'm delighted to be back this year to talk about New York. Sometimes I talk about upstate and sometimes downstate, but my hometown won out this year.


When people hear about gardens in New York City, they think about Central Park and the three Botanical Gardens (Bronx, Brooklyn, and Queens) not so much about smaller green spaces tucked into unusual places.

Urban gardeners have a lot to contend with, and so do urban gardens. Sunlight is blocked by big buildings, tree roots get choked by concrete, watered as much by dogs as by clouds, and trampled by traffic--vehicle and human alike. But like New Yorker's, they fight for life--and there are a lot of New Yorkers who fight for their gardens.

Community gardens spring up in many neighborhoods, such as the Oasis Community Garden in Hell's Kitchen, NYC, where I was privileged to be invited to read for Summer Dark last year.  https://www.nycgovparks.org/events/2018/07/27/oasis-community-gardens-summer-dark-readings

Schools are incorporating gardening into curriculums to help teach students about sustainability, ecology, and healthier eating. This is the community garden at a South Bronx high school, which are in raised beds due to high levels of lead and other pollutants in the soil.

For several years, I've joined co-workers for an annual day of service to pay our respects to one of ours who tragically lost her life in a bicycle accident. We gather in different spots along the Bronx River Greenway. It's amazing miles of parkland that have managed to survive, and thrive the creation of the Bronx River Parkway that runs parallel to it, the high rise apartment buildings and factories that border it on both sides, and the multiple overpasses that carry car, truck and train traffic spewing their exhaust down its banks.

This northern end has fared better that the southern, but efforts are continuing and things are getting better. Each year, our team of eager volunteers is met by rangers from the Bronx River Alliance, who escort us, shovels in hand, to a different area to help with reforestation efforts. There is always a lot of debris to clean up as well, most of it from people who are enjoying the park a little too much, leaving behind bottles, cans, food waste other pocket debris-keys, condoms, loose change. Drug paraphernalia is uncommon, but we've unearthed it. One team cataloguing trash in the river last year found a pig carcass. It always gives me great pleasure to leave behind a clean, path with hundreds of new trees, ninety percent of which do survive, unless someone comes along to steal them once we're gone.

This year, a team of ninety volunteers carried three to six foot trees into the Bronx River Forest and dug through mesh put down a few years ago to control invasive weeds. The challenge was working on a steep bank, a few feet from the guardrail of the southbound Bronx River Parkway with cars whizzing by. And what story this riverbank had to tell. I could only imagine how that car had smashed into that guardrail and careened down the bank, knocking down trees along its path. Having ridden ambulances, I knew how the EMT's had worked on the driver or passenger who'd been wearing the plaid wool jacket. Standing on the same place as I was, they'd stabilized and transported him to the hospital. As I pulled pieces of the car out of a pile of dirt--a gas cap, the twisted remains of a metal wheel rim, shards of red glass from the brake lights, I wondered if the naloxone packet, found with the sunglasses, meant it had happened in the daytime, and if a drug overdose caused the accident.

It was all removed, and we left behind the closest thing to a pristine state The Bronx River Forest will ever know. Walking out we passed a group having a picnic with several cases of beer and shopping bags full of food all around them. In deference to our presence, or because of it, they sat quietly on the riverbank, trash neatly packed up, enjoying a beautiful late spring day in an urban oasis. Just like it should be.




Bio:
Carole Ann Moleti lives and works as a nurse-midwife in New York City, thus explaining her fascination with all things paranormal, urban fantasy, and space opera. Her nonfiction focuses on health care, politics, and women's issues. But her first love is writing science fiction and fantasy because walking through walls is less painful than running into them.
Carole's work has appeared in a variety of literary and speculative fiction venues Short stories set in the world of her novels are featured in several of the Ten Tales anthologies. The Unfinished Business Series, a three volume paranormal romance, was published by Soulmate.
Excerpts of Carole's memoir, Someday I'm Going to Write a Book: Diary of an Urban Missionary range from the sweet and inspirational in A Quilt of Holidays to the edgy and irreverent in Not Your Mother's Book: On Being a Woman.
Links:
Everyone who subscribes to my newsletter gets a free download of Haunted: Ten Tales of Ghosts.  http://eepurl.com/bfNver

 And Fabulous Kenneth Weene: Meeting Ike-a New York Memory
The first time I lived in New York—for three years—was a difficult period in my life, a time I’d prefer to forget. While I was nominally studying International Education at Columbia University, most of those years were spent studying Greenwich Village coffee houses and the inner workings of my own depression, a depression at least in part fueled by my cousin’s suicide.

His death and my depression find expression in my novel Memoirs From the Asylum. Did you know that writing can be good therapy? Yes, it can. Other bits and pieces of those years can be found in my other writing, but for the most part I have left them untouched—far too painful.
Still, there was one day that stands out. It was a Friday. The weather was good for November, warmer than normal. I had blown off classes that morning, but not for the usual reason; I wasn’t sleeping in. I was having breakfast with one of the few people in the world whom I admired enough to get me out of my upper-Harlem apartment before noon. Ex-President Dwight David Eisenhower was the guest of honor at International House, the only organization I had joined during the previous year at Columbia. I had grown up revering Ike, especially since my grandfather worshiped him. “He saved us from Hitler,” Pa would tell me. “And, he brought you Uncle Harry home safe and sound and with a medal, a Bronze Star.”

When else would I meet Pa and my hero?

Showered, dressed—nicely, not my usual disheveled self—I got into the coffinesque elevator that serviced the seven-story building and slowly squeaked to the ground. Leaving the red brick fortress, I turned right and then right again onto St. Nicolas Ave. I stopped for a minute to say good morning to Dave, who ran the corner store that sold newspapers, cigarettes, snacks, and egg creams. Then, nodding to the subway and looking up at the beautiful sky, I started walking south. It would take about half an hour to walk, which would get me to my destination well ahead of the scheduled brunch.

As I walked the busy, dirty streets of the city, I thought how much better it would be were there a friend meeting me to share the event. Sadly, I had almost no acquaintances let alone friends. Depression makes for loneliness and loneliness adds to depression: one of life’s vicious circles. Still, fate has its little jokes. That day I ran into Joyce, one of the few people I did know at Columbia.

She hurried up. “Ken, I need to talk with you. I need your help.”

The last thing I wanted was to help anyone. “Sorry, I’m on my way to meet Ike,” I said—not feeling important nor trying to impress but wanting her to know I had no choice.

“Wow! Really?!”

Hurriedly, I explained about the brunch. “Too bad I can’t bring you with me,” I added with mixed feelings as I turned away.

“That’s okay. But, after. Could you do me a favor?”

“I don’t know when—”

“Whenever. I just need you to take a test. I’ve got to get some volunteers. I’m taking this IQ testing course. Just come by my room when you finish.” Joyce lived in the dorms, something I would never do.

I’m a sucker for pleading voices, especially pleading women’s voices. “Okay. See you later.”

So, that was the day I met Ike. He was warm, charming, and as circumlocutious in person as he was on television. We shook hands. I wanted to tell him about my grandfather and standing on the sidewalk with Pa waiting for his motorcade when he was running for the presidency. I didn’t have a chance. We were herded through the reception line and seated. Ike had a few bites, drank what I assume was coffee, and was introduced.

His speech was pure Eisenhower, certainly not brilliant rhetoric but an affirmation of the importance of international amity.

We applauded. He waved, smiled, and sat down. I turned back to my Danish—blueberry if I recall—took a bite, looked up, and Ike was being spirited out of the room. Nobody knew why. The room buzzed with hypotheses and disappointment.

Without the guest of honor, the event ended quickly. I had hoped it would be later, late enough that I’d have an excuse to give Joyce for not showing up.

Damn, I might as well.

Joyce had set up a bridge table in the bay window which allowed a view of the busy street three stories below us. On a smaller table to one side sat the boxes of manipulables that made up the performance section of the Wechsler. The scoresheet, sharpened pencils and manual neatly set out in front of the chair in which she sat as she gestured me to the one opposite.

At this point my memory grows hazy. Of course, I know that test well. I’ve given it hundreds of times. And, from Joyce’s response at the end, I’m sure I did my usual: I’m great at IQ tests. Living may be another question.

It was almost two hours later that I left Joyce’s room. As I walked the few steps from the building’s front door to the sidewalk, I was struck by a change. The brightness of the day had somehow turned somber. People looked down, not with the hurried step of a normal New York day but with a sobriety and slowness. It was as if the city had been enveloped in a cloud. I turned back, thinking I might go back inside to Joyce’s room. No reason there. No good it could do.

As I walked towards Broadway, I saw knots of people in serious discussion. Again, something not typical of New York, not even in the university’s neighborhood. New York is a place of hustle, bustle, and isolation.

Could the city have caught my depression? I inched closer to one of the small gatherings. They were sharing disbelief, loss, confusion.

“What’s happened?” I asked. I was prepared to hear that war had broken out. Had we once again tried to overthrow Castro? Had the Navy fired on Chinese ships? Has—?



“You haven’t heard? Kennedy, he’s dead. Somebody assassinated the President.”

Years later, when I took up writing poetry, one of the first pieces I had published referenced that day and the great sense of loss that was the Cold War. It was titled:

Memorial for My Grandfather, Ike, and Wartime Dead:
Hours spent—leaning on his cane grandfather waited—warm sun of autumn chill—procession stretching up the hill in slow camera motion—wave to him a hero—wave—head bobbing in recognition of unknown sons—medals earned—where? Bastogne’s now-filled woods boots  worn thin, cold, bleeding feet bronze valor row on white row on.
Long tubes—assembled in Watertown—to hurl projectiles filled with furies across rebuilding the Germanies to kill poles, Czechs, Ukrainians—insured democracies on scorched technology.
Uncle,            he had been too old, marveled until his hippie son cried being very young and terrified.
He never sought gainful employment something more than beaches          open for the summer while we marched—red capes and felt hats—along the Broadway passed grandfather’s empty house in nodded recognition but how would I have voted?
I met him years later brunch incoherent speaker the day when John-John cried.
Coincidence? —We waved—in slow camera motion as you came long procession stretching up the hill and grandfather leaned on his cane to wave and told stand small boy straight for heroes who had fought those living and those dead and grandfather for whom I dread filled cried as in band wool we marched by, good-bye.

Novelist, essayist, and poet, Ken Weene returned to New York a few years later and lived there until 2002 when he moved to Arizona. You can find more about his and his work at www.kennethweene.com
Ken offers a giveaway copy of Times to Try the Soul of Man to one person who comments here!

 With a Finale by Deborah Garland: The North Remembers-Clarifying Long Island, NY’s Coastal Communities
The North Fork that is. Or is it the North Shore?
If you don’t live on Long Island, it becomes a “What’s in a name” game. Is there really a difference?

A publishing house in California didn’t think there was, when they rejected my book series ultimately because they felt it conflicted with another series that was set in the same location.

Only it wasn’t. Not really. The other series took place on the North Shore. My romance series is set in the fictional town of Darling Cove on the North Fork. Wine country. But from three thousand miles away, it was an understandable mistake to make. Except it cost me a book deal with a publisher I’d been dying to work with.
So let’s set the record straight about what is really going on, on Long Island. For starters, it’s not an island. 

That is always the biggest misconception. One thing they got right in the name, it is definitely, LONG.  Even Wikipedia doesn’t fully understand its borders. It states Long Island is 118 miles from New York Harbor to Montauk Point. New York Harbor is west of Manhattan. 
What some people may not also know is that Long Island is divided between two counties-Nassau and Suffolk.  And it’s clear these counties are not divided equally. In fact, Nassau County is so much smaller. Again, someone looking at this may not even think, Nassau County is part of Long Island. It is. The majority of Long Island is Suffolk County.
And it’s the location of our two Norths. So why should two communities that are less than fifty miles apart be classified so differently? In wide open spaces, fifty miles probably doesn’t mean much but in metropolitan areas, it can be a different world.


I wouldn’t go so far as saying the North Shore is a different world from the North Fork. I’ll start by saying I live on the North Shore. So I can say from personal experience to know it’s different enough from the North Fork. To understand where the North Fork is, it’s important to understand what the North Fork really is. And why it’s so wonderful.

As seen in the maps, Long Island ‘forks’ north and south. The south east region is called the South Fork. Collectively, they are known as the Twin Forks. Are you horribly confused yet?  For purposes of this post, we will concentrate on the North. Not that the South Fork isn’t interesting. It is the home of the famous “Hamptons”. Nearly everybody’s heard of the Hamptons and perhaps can find it on a map.

The main draw of the North Fork, and why I love it so much and why I wanted to set my romance novel there is because it’s wine country! In the summer, you can splash around in the calm waters of the Long Island Sound. In the spring, stop at a fruit stand. In the fall, I bundle up and go pumpkin picking. The topography of the landscape is mostly farmland. 

In the first Darling Cove book, Must Love Fashion, I introduce the setting by describing it like this:

Small town romances, regardless of where they are set are meant to give the reader a sense that the characters are part of a tight knit community. For better or worse. While Must Love Fashion, jet-set the reader from Manhattan to Milan and finally settled down in Darling Cove, Book 2, Must Have Faith, primarily takes place in the small North Fork town. Faith, the heroine is a runaway bride who’s come home. Imagine the courage it takes to face everyone! Not to mention her jilted groom.


Greg and Faith were childhood sweethearts who were on their way to happy ever after, except Faith got cold feet and took off two days before the wedding. Greg also has a lot to answer for. He’s the only son in the Mallory family. A family that stayed close. Real close. His father and his sisters all live in Darling Cove. So when he and Faith figure out there’s still so much fire between them, they must do it in front of their family and a small town that loves wine!

Must Have Faith was really fun to write. And I loved seeing the whole town of Darling Cove in my head. Here’s some other snap shots of the North Fork:     
                                        
This October, the third book in the Darling Cove series, Must Be Crazy will be released. And in November, because I couldn’t get enough of Greg and Faith, I will be releasing a novella that extends their story just a touch. Look for A Must for Christmas.

All of my books (E-books and Paperback) are on Amazon, as well as Barnes and Noble, iBooks and Kobo.  I am also a Goodreads Author and you can find all the Darling Cove Books on the GR and Amazon Series Pages (links below).

I would love to hear from readers. I can be reached via the following:
Twitter: @deborah_garland

I’m giving away a signed copy of Must Have Faith! (US only, please)
Comment below and tell me you’ve followed me on, Amazon and Goodreads and signed up for Newsletter https://deborahgarlandauthor.us18.list-manage.com/subscribe?u=a20f7c46512310164d624bf90&id=0cda17675e . Winner will be chosen at random and contacted by me directly.
(all info Author Released and contributed)